Stieglitz 19

From The Back – Vue de Dos (Klapdorp 2 Antwerpen)

In a world focused on self-portraits and selfies, these images go against the current. In this exhibition, around 15 artists showcase photos, installations, and paintings that contradict the image-centric society of selfies. Images seen from behind are sometimes viewed as an act of resistance. Images of a back hardly allow for identification; they are anonymous. We cannot grasp the characters; for us, the images are disruptive, mysterious, and arouse our curiosity.

We often see this theme in painting or photography, as with Elina Brotherus, German Romantic painting, Magritte, Borremans, Bonnard, and others. This exhibition presents a selection of paintings and photos by artists who frequently employ this form of representation.

In this exhibition, we primarily see introspective female figures with their faces concealed. This is often seen in the works of Lara Gasparotto, where many characters are depicted from behind. Similarly, we see this in the Japanese artist Daido Moriyama, who mainly photographed women from behind, especially in his street photography but also in his intimate portraits. Ren Hang also created some beautiful works featuring backs; exceptionally, four are on display in the exhibition. Along with a beautiful portrait by Francesca Woodman from her time in Rome. The Chinese painter Lin Zhebin exclusively creates works of backs; according to him, he can extract character traits from his models based on the shape of their backs. Daisuke Yokota also presents works exclusively from his Vertigo and Tarantine series.

Chad Moore (rue saint georges 24 brussels)

“Moore’s latest exhibition, “Oh, You,” invites viewers on a journey through the intricacies of archival work intertwined with brand new, unseen images that paint a compelling narrative of hope. Evoking a sense of introspection and anticipation, the exhibition transcends mere observation to offer a nuanced exploration of human experience.

Initially approaching photography as a “fly on the wall’, Moore’s practice has evolved into a captivating study of contingency. In this body of work, the artist places the subject within a carefully constructed framework, capturing their candid reactions and interactions with their surroundings. Through this lens, Moore unveils the beauty of spontaneity and the complexity of human emotions, inviting viewers to ponder the significance of each fleeting moment.

With a hopeful eye fixed firmly on the horizon, Moore’s imagery transcends the constraints of time and space, offering a glimpse into a future brimming with possibility. Each photograph serves as a testament to resilience and the unwavering spirit of humanity, reminding us of our capacity to adaptgrow, and thrive amidst uncertainty.”