Stieglitz 19

3

Daisuke Yokota

april 3th – may 22th

gallery closed may 12-13-14 may

Antwerp Art Weekend 20-21-22 may : Daisuke Yokota and Anthony Cairns

 

 

 

Daisuke Yokota belongs to a new generation of young Japanese photographers who are radically interweaving photography and bookmaking, breaking rules, combining multiple tools, and pushing experimental limits to the extreme. Yokota’s creative process starts at the point where many other photographers are almost finished.

He takes simple snapshots and then creates his final image by applying various techniques and interventions – he photographs, develops, prints, and photographs each image again and again, and he continues experimenting in his homemade darkroom, taking the process even further by developing film in boiling solutions, leaking light, or leaving deliberate scratches.Very often he repeats the process several times and rarely follows the same steps the same way twice, and he employs digital manipulation, but finds that working with film adds more natural distortion. All of these extra layers of intervention combine to create deformation, imperfection, and visual noise, bringing a distinctive visual language to Yokota’s photography. Vertigo, as a series of highly processed black and white images, is a haunting journey which evokes ephemeral memories and emotions. The book’s title (which appears only in English) most likely refers to Alfred Hitchcock’s iconic film and the vertigo effect itself, a moving sensation within space and time. Yokota layers up his images rather than conveying a traditional storyline; his editing and arrangement create a shadowy atmosphere, playing with our desire to see the unseen.